Humpty Dumpty
secret
secret
透かし造形は 内なる空間を秘めた形態で
表と裏の表情をもつ
形態の地の部分を表現することで
抜けた負から内部空間全体を立体として捉えることができる
地と間が一帯の繋がりを持った面となり透明な膜が生まれる
焦点が内なのか外なのか曖昧になる
何を見ているのか 透明を透明に見ていない
曖昧なところほど 脳裏のどこかでうまく整理されてしまうのだろうか
secret
The fretwork formative art enshrines
an inner space, and has faces of inside and outside.
It can express the whole inner space as solid
by letting the negative out.
Each open space becomes a part of the perfect transparent layer,
and the surface makes a strange clear skin.
It makes us feel puzzled which is inside and which is outside.
What are you looking?
You don't look it clearly what appears clear.
Is it arranged in your brain by what you see there?
2004
浮遊するかたち
skin
skin
内側を覗く
鏡面が空間との境界
表裏の実像すら曖昧にし
焦点が定まらない
人と環境を取り込み
表層に外界を映し出す
虚像は景色と化していく
skin
Look inside.
Feeling the work by approaching it,
You can model it in perception as the same
form of front and back.
Polished mirror surface makes us confused to focus
on the border between the space and the work.
Sucking human and surroundings,
it shows various world on the surface.
“Skin” consists of the real scene
making unreal images on the wavy surface.
2005
女こゝろ
ドロシー
Boundary
Boundary
物事を判断してしまう 外装という視覚
鮮度 性格 触感 重量
光 肌理 纏う全てが反映する
内世界の判断は錯覚といつも隣合わせ
Boundary
As a criterion of judging things - eyes are exterior.
Freshness of foods Personalities Tactile sensation Weight
The impression of externals swells imagination.
Eyes find transitions of texture of surface by light’s guidance,
and chase a boundary between space and things.
Glow of light, texture, clothing, everything is reflected
The inside space influences us to make tricky judgement.
2006
